But you need to have a taste for it to throw on TPAB on a regular basis. You don't need to be a jazz connoisseur to appreciate what Kendrick did. I recognized the greatness of the sound of the album above, but that kind of combination isn't widely appealing. It isn't an album for every color on the mood ring. That's what makes the album great, but it is also what makes it difficult to listen to sometimes. TPAB is an extremely intense album, slamming the listener over and over again with vicious lyrics that makes him or her reevaluate their worldview. TPAB falls behind good kid, m.A.A.d city in those regards. That said, replay-ability and general appeal must be taken into consideration when we're arguing about the greatest piece of work in an artist's discography. The themes that make up its foundation will always be relevant to societal discourse. No one has ever been able to combine jazz/soul and rap as successfully as Kendrick does on that album. A statement on society that very few, if any, rappers have ever been able to make so poignantly with such majesty. Which brings us to To Pimp A Butterfly, the only true contender to the throne in this discussion. This is like degrading John Wick in order to argue The Matrix is better, but we must criticize what we love in order to prove a point. It combined the themes of his previous albums and was debatably his strongest album lyrically, but the pieces didn't fit as well together comparatively. But it wasn't his best work as a storyteller or as an artist.
#KENDRICK LAMAR GOOD KID MAAD CITY ZIP ITUNES MATCH FULL#
The fact that it's still better than many a rapper's full albums speaks to his skill, but it can't hold a legitimate claim to being the best album he's put out.ĭAMN was great. Untitled is basically a collection of loosies. It has some of my favorite Kendrick songs ("Ronald Reagan Era" and "Poe Man's Dreams" still make regular appearances in the rotation), but there are few too many short songs that could serve as interludes if you didn't know any better. Section 80 was the first glimpse we had of Kendrick's true potential, and the true predecessor to GKMC. It's the same with Section 80 and Untitled. No one will argue it's his best piece of work, even if it is the favorite of some individuals. Overly Dedicated is great, but it was his first album and wasn't nearly as polished or cohesive. I will start by addressing arguments for his other albums, and then heap praise upon the best rap album of the decade, and hands down one of the best of all-time. good kid, m.A.A.d city is absolutely his best album.
Now, on to the meat of this here article. But, right this very second, nobody can match K-Dot.
I concede a very good argument can be made for Jay-Z given his extensive body of work spanning several decades, and even for Kanye West if you ignore the last four years of terrible music and horrendous public statements. Let's get that out of the way before we dig into the nitty-gritty. Sherane a.k.Kendrick Lamar is the best rapper alive. Track Numberġ Sherane a.k.a Master Splinter’s Daughter (Explicit) From the laid-back swing of " Money Trees", to the murky, T-Minus-produced " Swimming Pools (Drank)" – where the 25 year old’s rapid-fire flow was redolent of vintage André 3000 – it was astonishing listening. Thematically, Good Kid, M.A.A.D City plundered the light and shade of his upbringing on the streets of Compton, and those extremes were mirrored in the music. 7digital What we said: Following in the footsteps of forbearers Snoop Dogg, Eminem and Rick Ross, this year Kendrick Lamar became the latest of Dr Dre’s protégés to deliver the goods.
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